3 things book cover design says about books themselves

3 things book cover design says about books themselves

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Keep reading to find a few various concepts associating with the way we see book covers set along the side of their history.

We love reading books since they are really lovely things. This is true, but the nature of beauty that we may be speaking about is certainly different to what we might be discussing if we were speaking about, for example, the visual arts. Or is it? For as long as we have actually had books we have embellished them with beautiful book cover designs that effort to mirror the appeal of what is inside. This dates back for as long as the codex itself has been around, with medieval monks, those charged with the protection and procreation of the scarce texts that might still be discovered, ornamenting each hand composed text with remarkably abundant and lovely styles. In fact, such was the appeal held within these books that many of these creative book cover designs were carved into ivory or solid gold, studded with gems, and inlaid with rivers of precious metals. People like the co-CEO of the hedge fund that owns Waterstones can probably value the manner in which the beauty of these book covers was created to match the beauty within the book.
When you actually think about it, it is rather fantastic that a book's cover, no matter how lovely it is, is able to stand so eloquently for something that is nearly the total reverse of its art format-- writing in black and white. In fact, book covers have been developed to reflect the feeling of a book and appeal to its intended audience since the dawn of big scale publishing in the Victorian Period. Artists were entrusted with finding what makes a good book cover for specific people, or in other words, marketing. People like the CEO of the asset manager that has a stake in Amazon can probably value the function of marketing in creating book covers.
When we buy a book it ends up being something really very personal to us. It can sometimes be weird seeing a book you enjoy with a different book cover, just because it is not your book. This personalisation, and indeed ownership, of books was at a completely various level at the dawning of the era of printing, with book covers being developed by the owners themselves, and what they thought would be the best books covers for the book. They would purchase the book itself from the printer wrapped in paper, then take it to a binder who would add in the covers to the customer's specs. This typically meant being outfitted in leather and after that etched with the name of the book, and, generally, the name of the book's owner. People like the co-founder of the impact investor with a stake in World of Books can most likely appreciate the ownership that individuals come to feel in relation to their books.